SUMMER 2016
AA VISITING SCHOOL NANOTOURISM
MENTORS ALJOŠA DEKLEVA, CHRISTIAN POTTGIESSER
COLLABORATORS SARA ŠKARICA, AJDIN VUKOVIĆ, JAN ŽUŽEK
PHOTOGRAPHERS ROK DEŽELAK, AJDA SCHMIDT
REALIZATION JULY 2016
HONORS PIRANESI STUDENT HONORABLE MENTION NOMINATION
KSEVT, Cultural Centre of European Space Technologies, was built on one singularity, Potočnik’s book, and a series of loose facts. This project looked at the whole story of Potočnik and the correlated history to ultimately have a different view in the form of our own, more entertaining, version of the legend. Parallel to the creation process of the new Potočnik story we held the topic of “re-questioning” upright by doing various guerrilla actions.
Eventually, the project illustrates itself physically, as a critical manifesto of mass tourism: a pilgrimage to various sites in Vitanje, which will dissolve KSEVT’s compressed history of Potočnik. At this point all local businesses that do not benefit from their own direct proximity to KSEVT, can revive. After a series of proposed locations the visitor ultimately arrives at an installation that gives him a distant vision towards Vitanje and KSEVT.
KSEVT, a building initiated to promote the culturalization of space, inspired by the work of Herman Potočnik. As such, it has a clear connection with him.
Herman Potočnik Noordung was a pioneer in cosmonautics of Slovenian ancestry.
There is no clear connection between Noordung and the town Vitanje. This is where storytelling comes in place.
The timeline seeks to collect all types of facts related to the work of Herman Potočnik Noordung.
The multitude of unreliable “legends” from the life of Potočnik could be understood as potočnikation (marked in yellow). Displayed here is only a small part of the chronology, depicting events both real and fake.
The critical distance is materialized as a brass ruler that presents the real distance of 300 meters between KSEVT and the last station of Potočnik’s pilgrimage scaled to a 30 centimeters long souvenir.
The project illustrates itself physically, as a critical manifesto of mass tourism: as a souvenir that every visitor can choose to buy as a memento.